She finds a friend of sorts, however, in the form of a young black stallion whose mother was captured by Mansoor and his men. After several days in the desert, Neera finds her way to the house owned by her grandfather, Ben Ishak (RICHARD ROMANUS), but the black stallion runs off. That prompts Ben to state that he was just a desert apparition spawned by none other than the Devil.
Neera doesn't believe that, but is upset when she learns that her grandfather had to sell the family horses - to make ends meet -- to Rhamon (GERARD RUDOLF), a sheik who's involved in cross-desert races where the winner claims their opponents' horses.
A year later, the black stallion suddenly reappears, much to Neera's delight. She wants to race him in a contest against Mansoor and Rhamon to retrieve the family horses, but Ben explicitly forbids it. Nevertheless, and with the aid of her friend Aden (PATRICK ELYAS), Neera begins to train with her new horse in hopes of entering that tough race and winning.
A few characters have some bad attitudes, several carry guns, some fall from their rides, and the protagonist's parents are missing. Beyond that, the remaining categories have little or nothing in the way of major objectionable material.
That said, should you still be concerned about the film's appropriateness for yourself or anyone else in your home, you may want to look more closely at our detailed listings for more specific information regarding the film's content.
For those concerned with flashes of light on the screen, some of that occurs during a thunderstorm at the beginning of the film.
All Rights Reserved,
(2003) (Biana G. Tamimi, Richard Romanus) (G)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
None
None
Moderate
*Mild
Mild
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Minor
None
Mild
None
None
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
None
Minor
Minor
Moderate
Minor
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed December 20, 2003 / Posted December 25, 2003
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