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Raul doesn't want her to split up the family by attending some out of state college, while Carmen constantly belittles Ana for being overweight and without a boyfriend. She eventually convinces her oldest daughter, Estela (INGRID OLIU), to give Ana a job in her small, un-air-conditioned dress factory where she, Carmen and others make dresses that they sell to department stores for $18 that are then sold to consumers for $600.
Not surprisingly, Ana isn't pleased with working for Estela along with other literal sweatshop workers such as Pancha (SOLEDAD ST. HILAIRE) and Norma (LINA ACOSTA). Her only solace is her understanding grandfather, Don Miguel (FELIPE DE ALBA); an English teacher, Mr. Guzman (GEORGE LOPEZ), who keeps pushing her to excel; and a secret boyfriend, Jimmy (BRIAN SITES), who doesn't care about her weight.
As she continues working in the factory and dreaming of attending college, Ana must decide whether or not to allow her restrictive parents and societal norms to prevent her from being happy and attaining her dreams.
That 18-year-old girl and her overbearing mother don't get along due to bad attitudes on both of their parts, resulting in some tense family material. Beyond all of that, however, the rest of the film's categories have little or nothing in the way of major objectionable content. Nevertheless, should you still be concerned about the film's appropriateness for yourself or anyone else in your home, you may want to look more closely at our detailed listings for more specific information regarding the film's content.
All Rights Reserved,
(2002) (America Ferrera, Lupe Ontiveros) (PG-13)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Minor
Minor
Moderate
None
None
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Minor
None
None
None
Heavy
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Heavy
*Minor
Moderate
Heavy
Minor
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed November 1, 2002 / Posted November 15, 2002
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