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It doesn't help matters that his more freewheeling twin brother, Donald (NICOLAS CAGE), has decided to take up screenwriting as well. Having attended classes by screenwriting guru Robert McKee (BRIAN COX), Donald turns out to have a knack for it despite doing everything that Charlie believes is wrong from an artistic standpoint. Unlike his brother, Donald has no problem with the ladies, whether it's Amelia (CARA SEYMOUR) or make-up artist Caroline (MAGGIE GYLLENHAAL).
As Charlie attempts to write this story that he believes isn't filmable, we see flashbacks of Susan at work at the New Yorker writing her book, as well as ones even further back where she interviews and eventually falls under the spell of her titular subject, John Laroche (CHRIS COOPER), and his passionate lifestyle and mindset.
With time running out, Charlie tries various ways of finishing his script, ranging from finally meeting Susan to actually writing himself and his brother into the story.
Violence includes several fatal and bloody car crashes, a fatal alligator attack, an accidental shooting and some punching. Some of those scenes could startle or disturb viewers, while various characters have varying degrees of bad attitudes. Several characters drink or smoke, while some snort some sort of drug extract and are high.
If you're still concerned about the film and its appropriateness for yourself or anyone else in your home who may be interested in seeing it, we suggest that you take a closer look at our detailed listings for more specific information regarding the film's content.
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(2002) (Nicolas Cage, Meryl Streep) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Heavy
Moderate
Heavy
Mild
Mild
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Mild
Mild
Mild
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Extreme
Moderate
Mild
Moderate
Moderate
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed November 6, 2002 / Posted December 20, 2002
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