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While he needs the money to fight his ex-wife in the courts over custody of Holly, he knows that if he's caught in his old ways, he may be put away for good. Despite that possible ramification, the amount of money offered to him is to enticing and so he joins Gabriel's team that includes Ginger, Marco (VINNIE JONES), a tough henchman, and others including U.S. Senator Reisman (SAM SHEPARD) who's somehow involved with them.
As Stanley sets out to hack into a government computer system to help the terrorism-based spy steal billions of dollars to fund his own brand of patriotism, the computer hacker must not only deal with Gabriel's lethal behavior and suspicious nature, but also Agent Roberts (DON CHEADLE), the government field agent who previously arrested him and would love to capture both him and Gabriel.
Violence is listed as extreme due to many people being killed by gunfire and explosions that, while intense, aren't terribly bloody or graphic beyond one brief sight of a very burned body. Other deaths, non-lethal violence and property destruction also occur. The perpetrators of that mayhem - that may be tense/suspenseful to some viewers -- have extreme cases of bad attitudes, as do others involved with them.
Some imitative behavior is present, a father desires to be with his daughter but is legally restrained from doing so, while various characters drink and/or smoke. If you're still concerned about the film and its appropriateness for yourself or anyone else in your home, you may want to take a closer look at our detailed content listings for more specific examples of what occurs in it.
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(2001) (John Travolta, Hugh Jackman) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Moderate
Moderate
Extreme
Heavy
Extreme
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Moderate
None
Extreme
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Extreme
Moderate
Mild
Moderate
Extreme
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed June 4, 2001 / Posted June 8, 2001
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