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One of the prisoners under their watch is Lawrence Musgrove (SEAN COMBS) who's scheduled to die shortly, a point that's left his distraught wife, Leticia (HALLE BERRY), not sure how she's going to pay their rent or care for their obese son Tyrell (CORONJI CALHOUN).
After Lawrence's execution that Hank and his team carried out, Leticia looks for work and finds employment at the local café that Hank regularly frequents. The two don't know each other, but when additional tragedy strikes both of them, they find themselves drawn to each other.
As their friendship quickly turns to lust and then love, the two must deal with their differences as well as the eventual revelation of the unique bond from their past.
Violence consists of a person committing suicide (by shooting themselves in the chest), a death row inmate being executed, a boy dying from injuries resulting from being hit by a car, and some characters hitting/striking others. Various characters have varying degrees of bad attitudes (including racism), while various instance of tense family material are present.
Meanwhile, various characters drink/and or smoke, and some are seen/heard vomiting. If you're still concerned about the film's appropriateness for yourself or anyone else in your home who may be interested in seeing this picture, we suggest that you take a closer look at our detailed listings for more specific information regarding the film's content.
For those concerned with bright flashes of light on the screen, some strobe-like effects briefly occur.
All Rights Reserved,
(2001) (Billy Bob Thornton, Halle Berry) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Moderate
Moderate
Extreme
Moderate
Moderate
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Mild
None
None
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Extreme
Moderate
Extreme
Heavy
Heavy
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed December 6, 2001 / Posted February 8, 2002
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