To compensate, he records his meetings and discoveries with Polaroid snapshots, as well as notes written on paper and tattooed on his body. Nevertheless, he's never sure of any new information or people he meets, including Teddy (JOE PANTOLIANO) who claims to be a cop helping him, or Natalie (CARRIE-ANNE MOSS), a barmaid who may or may not have ulterior motives in assisting him in his search.
As he recalls investigating a case from his past involving a man, Sammy Jankis (STEPHEN TOBOLOWSKY) who similarly claimed to have no short term memory, Leonard tries to find his wife's killer despite his memory problem, all while we watch the story unfold in reverse chronological order.
Violence consists of several people being shot to death with guns (with bloody results) and brief and partial flashbacks to a wife apparently being raped and killed, along with other non-lethal acts such as people threatening or shooting at others with guns and various instances of fighting or striking others, etc. Some of those scenes may be unsettling or tense for some viewers, and various characters involved in all of that have varying degrees of bad attitudes, some of them rather severe. Some tense family moments involve the strained marriage of two minor characters.
A few people drink, one minor character appears to snort cocaine, and some imitative behavior is present. Should you still be concerned about the film and its appropriateness for yourself or anyone else in your home who may want to see it, we suggest that you take a closer look at our detailed content listing for more specific examples of what occurs in it.
All Rights Reserved,
(2001) (Guy Pearce, Joe Pantoliano) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Heavy
Heavy
Extreme
Heavy
Heavy
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Moderate
Minor
Heavy
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Heavy
None
Moderate
Mild
Extreme
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed March 12, 2001 / Posted March 30, 2001
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