![[Screen It]](https://www.screenit.com/images/screenit_subscriber_logo.jpg)
That changes when record manager Wyatt Frame (ALAN CUMMING) stumbles across them while looking for a new act after recently dumping his boy band, Dujour, when they started asking too many questions about their music. Although he's never seen them play nor heard their songs, Wyatt - who's under orders by Mega Records CEO Fiona (PARKER POSEY) to find a replacement band as soon as possible - signs them up and the girls and their songs are suddenly shot to the top of the charts thanks to Mega Records's marketing prowess.
In doing so, Wyatt decides that Josie, the lead singer, should be the band's leader, a point that doesn't sit well with Val, the bass player, but makes little difference to Mel, the ditsy drummer. Soon dissension begins to set in within the band, and Josie discovers that she no longer has time for her hometown friend and potential boyfriend, Alan M. (GABRIEL MANN).
The girls eventually realize, however, that Fiona and Wyatt have been inserting subliminal messages in their songs - in conjunction with the U.S. Government - to stimulate the economy by having their audience buy their records along with any other products or fads they decide to introduce. From that point on, the girls must contend with their new feelings for one another, their music, and the evil recording industry that wants to silence them now that the girls are wise to their marketing secret.
There's a briefly sensuous moment between a young man and woman (they later briefly make out in another scene), while another woman jealously accuses that same woman of sleeping with someone else (she didn't). A few women wear revealing clothing, a man is seen standing nude with just a guitar covering his crotch, and a song's title, "Backdoor Lover," could be viewed as making joking/subtle connotations about anal sex (then again, it could just be mocking the Backstreet Boys).
Violence consists of several characters hitting or briefly fighting with others, and two men coming after some young women with baseball bats (although it's all played in a light-hearted/comic fashion) after being ordered to do so by a character who, along with others, displays some bad attitudes toward others.
Beyond that, there's some brief drinking, but the rest of the film's remaining categories have little or nothing in the way of major objectionable content. Nevertheless, should you still be concerned about the film's appropriateness for anyone in your home (such as with some of the profanity/language that's played to be both innocent and somewhat risqué), we suggest that you take a closer look at our detailed content listings for more specific examples of what occurs during it.
All Rights Reserved,
(2001) (Rachel Leigh Cook, Tara Reid) (PG-13)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Mild
Minor
Heavy
Minor
Minor
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Mild
None
Mild
*Moderate
*Moderate
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Moderate
None
None
Moderate
Moderate
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed April 5, 2001 / Posted April 11, 2001
By entering this site you acknowledge to having read and agreed to the above conditions.
©1996-2022 Screen It, Inc.