With the election for an open Congressional seat approaching, Fielding seems to have things wrapped up except for one small problem - he's seeing his old girlfriend, Sarah Williams (JENNIFER CONNELLY). That's not to say that he's cheating on Juliet, but rather that he's seeing or having visions of Sarah who reportedly died a decade earlier in a car bombing.
As the election draws near, we witness flashbacks to the dramatic arc of Fielding and Sarah's passionate romance, from first meeting when she worked for his brother, Danny (PAUL HIPP) up through strains on their relationship due to their political and sociological differences. From that point on, Fielding tries to figure out - with the help of his sister, Caroline (JANET McTEER) - whether he's going crazy or perhaps that Sarah's really still alive.
Some characters drink and smoke, while the protagonist's brother may smoke a joint in a flashback. Violence consists of the protagonist's brief encounter with a thief who punches him and an off-camera car bombing (that occurred in the past). In addition, and although it's not played for supernatural thrills and chills, the protagonist appears to have visions or sightings of his previous girlfriend who was presumably killed in that car bombing.
Beyond that and some bad attitudes, the rest of the film's remaining categories have little or nothing in the way of major objectionable content. Nonetheless and as always, should you still be concerned about the film's appropriateness for yourself or anyone else in your home, we suggest that you more closely examine our detailed content listings for more specific information.
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(2000) (Billy Crudup, Jennifer Connelly) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Moderate
Minor
Moderate
Mild
Mild
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Minor
None
Mild
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Heavy
Minor
Minor
Mild
Mild
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed February 25, 2000 / Posted March 24, 2000
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