The two lonely people's lives cross when Bodo inadvertently causes an accident where Sissi is severely injured. Bodo ends up saving her life, but she never learns his identity as he disappears after taking her to the hospital.
Some two months after recovering from her injuries, Sissi finds herself obsessed with finding Bodo, but when she eventually does, he wants nothing to do with her. Nevertheless, the nurse can't shake the need to connect with him and eventually gets the opportunity to do so when another chance encounter sets into motion a series of events that will forever change their lives.
Violence consists of several deaths (from a shooting, electrocution and explosion), while non-lethal violence is also present in the form of people hitting, being physical with and/or threatening others, and a truck hits a woman and severely injures her (thus requiring a graphic and bloody impromptu tracheotomy).
Some of those scenes and others may be unsettling or tense to some viewers, while various characters have varying degrees of bad attitudes. Some drinking and smoking occur, some potentially injurious imitative behavior is present, while a man still grieves over his wife's accidental death. If you're still concerned about the film and its appropriateness for anyone in your home, you may want to examine our detailed content listings more closely for more specific examples of what occurs in the film.
For those concerned with the bright flashing of lights on the screen, several instances of that occur during some thunderstorm scenes.
All Rights Reserved,
(2000) (Franka Potente, Benno Fürmann) (R)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
Minor
Heavy
Heavy
Heavy
Heavy
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Moderate
None
Moderate
None
Extreme
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
Heavy
Mild
Mild
Moderate
Extreme
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed May 21, 2001 / Posted July 13, 2001
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