They include siblings Tai (voice of JOSHUA SETH) and Kari (voice of LARA JILL MILLER), other siblings Matt (voice of MICHAEL REISZ) and T.K., and Wallace who lives in America and owns twin Digimon. Then there's Sora (voice of COLLEEN O'SHAUGHNESSY), who has Tai's thoughts all messed up, as well as Mimi and Joe.
Not all Digimon are friendly or good, however, and when one of them - later identified as Diabormon - starts taking over the world's communication systems, the various young humans and their Digimon counterparts set out to stop him. Led by Tai and his friend Izzy (voice of MONA MARSHALL), the Digimon - which can "digivolve" into larger and stronger forms of Digimon -- set out to stop the bad Digimon, just as does another set of DigiDestined kids and their new Digimon who must later deal with another Digimon that's gone bad.
That said, some of those scenes, as well as the sight and sounds of a few of the more menacing looking monsters might be unsettling, suspenseful or scary to the youngest of viewers, all depending on their age, level of maturity and tolerance for such material.
Beyond that, a handful of tame colorful phrases, some oddly inserted scatological material (involving two instances of Digimon feces) and the bad attitudes exhibited by the bad Digimon, the rest of the film's remaining categories have little or nothing in the way of major objectionable content. As always, however, should you still be concerned about the film's content, we suggest that you take a closer look at our detailed listings for more specific examples of what occurs in the film.
All Rights Reserved,
(2000) (voices of Joshua Seth, Mona Marshall) (PG)
Alcohol/
DrugsBlood/Gore
Disrespectful/
Bad AttitudeFrightening/
Tense ScenesGuns/
Weapons
None
Minor
Heavy
*Mild
Mild
Imitative
BehaviorJump
ScenesMusic
(Scary/Tense)Music
(Inappropriate)Profanity
Minor
None
Heavy
None
None
Sex/
NuditySmoking
Tense Family
ScenesTopics To
Talk AboutViolence
None
None
None
Mild
Heavy
CAST, CREW, & TECHNICAL INFO
Then read OUR TAKE of this film.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Reviewed October 2, 2000 / Posted October 6, 2000
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