In his 1997 feature film debut, "In The Company Of Men," writer/director Neil LaBute examined the "politics" of relationships between men and women and helmed one of the more controversial, but also critically acclaimed films of the year. Shot on a shoestring budget, the film stood out not only for its misogynist plot (two guys who've had it with women decide to get a deaf coworker to fall for both of them before simultaneously dumping her), but also for its witty and sharply crafted dialogue.
Much like that film, his sophomore outing, "Your Friends And Neighbors," explores the sexual side of such relationships and includes great writing and several new, but still unsavory characters. Unlike his first effort, however, this one features a weaker plot that isn't intriguing enough to fully compensate for the meanspirited behavior. Perhaps LaBute should have called this one "Your Enemies and Other Despicable People Who Live Nearby."
In all fairness, the film's sextet cast is filled with clearly distinctive characters whose behavior is intriguing, but not always entertaining to watch. Interestingly, they're never identified by name at any point in the movie (and only in the press kit), assumedly a point LaBute's making with his film being about common, everyday men and women.
Clearly the most interesting character is Jason Patric's volatile misogynist. While Patric ("Speed 2," "Rush") has played edgy parts before, this is a creation as equally disturbing as any seen on the screen in years (or at least since LaBute's last film). Cary is one of those despicable characters whose arrogance and meanspirited nature is so disturbing that you'll easily come to hate him, but will find that you can't keep your eyes from him as he easily commands every scene in which he appears.
Doing a polar opposite is Aaron Eckhart who played a character similar to Patric's in "In The Company Of Men." Without prior knowledge, one would never know that this is the same actor, especially since his physical appearance (no longer lean and trim, different hair color, etc...) and demeanor are so completely different. Perhaps he's hiding from the legions of women who came to hate him for his earlier, caustic role.
Heir apparent to the bumbling and neurotic romantic characters "created" (and seemingly vacated) by Woody Allen, Ben Stiller ("There's Something About Mary," "Flirting With Disaster") is as good as ever. While inhabiting a more modern day, but less "geeky" version of the character type Allen popularized throughout his career, Stiller's performance is quite funny.
Concerning the fairer gender, the characters certainly aren't as developed as their male counterparts. While Nastassja Kinski ("One Night Stand," "Father's Day") is decent and Catherine Keener ("Out Of Sight," "The Real Blonde") is appropriately bitchy as a woman with a neurotic obsession about talking during sex, Amy Brenneman ("Heat," "Daylight") clearly inhabits the strongest female character this film has to offer.
I've always liked Brenneman's work -- all the way back to her appearances on the first season of TV's "N.Y.P.D. Blue" -- and believe her to be one of the more emotive character actresses working today. Few can so easily convey inner feelings with a simple look, but she's got that knack and it helps her here as she delivers yet another fine performance.
Despite the diverse and interesting -- if not always likeable -- characters, the film suffers from a weak and near nonexistent plot. While "In The Company Of Men" has similarly based characters, its plot was interesting. One never knew how it would turn out and whether either of the guys would fall for the woman they were planning to emotionally destroy. Here, the plot mainly concerns the repercussions of what will happen should Jerry have a fling with his best friend's wife.
While that sounds intriguing enough to carry the film, in reality most of the time is spent having the characters sitting around discussing their relationships and sexual experiences. Although some of them are interesting -- including an extremely disturbing one told by Cary about a high school "encounter" years earlier -- they begin to take on the feeling that you've suddenly sat down in a group therapy session.
That, or an extended and less humorous episode of Seinfeld" where a whole lot of hot air is expelled for nothing in particular by the story's end. While that might not bother you if you like dialogue laden films, I personally prefer a bit of plot with my talk.
Even so, the film is usually mesmerizing to watch -- sort of like spying on people sitting around and revealing their secrets -- and offers an interesting exploration of today's sexual and nonsexual relationships. Featuring some vividly constructed characters -- including yet another strong misogynist villain who could play tag team with LaBute's other similar creations -- the film is decent, but not great.
For me, I would have found the film more entertaining had more of a plot existed to justify the occasionally interesting, but dialogue heavy standalone scenes. Thus, we give "Your Friends And Neighbors" -- another film that will likely polarize audiences into either loving or hating it -- a 6 out of 10.