Smartly titled for the popular phrase often used by teenagers when have had enough parental or otherwise adult advice, warnings, or wisdom, "Whatever" is a compelling but gritty look at teens and their transition to adulthood in the early 1980's.
Much more realistic and honest than the recently released and insipidly structured "Can't Hardly Wait," this low budget picture doesn't have any well-known, "name" performers to carry the show. Nor does it have the standard comedic material so often found in such genre entries. Instead, it focuses on the myriad of problems and challenges faced by teens in those often dark, turbulent, and definitely confusing times.
Making her feature film debut, writer/director Susan Skoog has wisely chosen to tell the story from the perspective of a talented, but troubled teenage girl. Although a gifted and promising painter, the Anna character has a disillusioned bad attitude toward school and her single mom, and has a drinking problem and a load of low self-esteem. That, coupled with a best friend who's a "loose," party hound who encourages Anna to lose her virginity, efficiently sets up the dramatic complications for our protagonist.
While all of that has been touched on in other teen angst films and various made for TV movies, Skoog manages to bring something fresh to the proceedings and manages to avoid allowing the film to become a run of the mill, melodramatic picture. While she hasn't tapped into, or wrapped the film with smart or witty "teen speak" (think of Alicia Silverstone in "Clueless"), she has written some honestly constructed characters.
What also helps are the fine performances from the two leading ladies. Liza Weil, who makes her feature film debut performance as the lead, is outstanding in her role. Perfectly playing that awkward age where some people still treat you like a child (having to drink cola while out with her mother and her boyfriend), while at others you think, or at least think you're an adult (as shown by the teen notion of partying, drinking, and sleeping around), Weil delivers a completely believable and moving performance. While her character's not always likeable, the range of emotions she's able to express (including some great, disaffected and forlorn expressions) proves that she's a fine actress.
Chad Morgan ("The War At Home") is also quite good and believable in her role as Anna's hard partying, sleep around best friend. Although often playing an inebriated character, Moran, like Weil, easily manages to adopt that disaffected aura so often found in angst ridden teens.
From there, the rest of the cast and the performances range from good to a bit shaky. Skoog never fully explains why, but many of her adult characters come off more like caricatures then the real flesh and blood teens they're trying to help or reprimand. Perhaps we're seeing them through the eyes of the teens, since they become a bit more realistic toward the end of the movie, but there's no certainty to that observation. Nonetheless, while Kathryn Rossetter is sympathetically believable as Anna's single mom who will go out with anyone just to have a man around, Frederic Forrest's ("The Rose," "Apocalypse Now") laid back mentor character is questionably played at times, unnecessarily drawing attention to his performance.
Although the melodramatic moments start to pile up at the end (especially when Skoog throws in some stepfather molestation material), and some bits of dialogue from minor characters don't always ring true, the film manages to survive mainly due to the fine young actresses in the lead roles. While nothing really new is touched on, nor are any "magic bullet" remedies for teen angst discovered, the film still manages to feel honestly fresh.
Perhaps that's because Skoog doesn't sugarcoat the material and offers a gritty look at a tough period in any teenager's life. Compelling and occasionally disturbing to watch, "Whatever" is worth seeing mainly for what Weil and Morgan bring to their roles. We give the film a 6 out of 10.