As we've stated in the past regarding black comedies, there's often a very fine line between being funny and coming off as sick or even perverted. Like beauty and the eye of the beholder, such comedic lies squarely with the individual viewer's funny bone. Accordingly, while some will find this film stupid, sophomoric or disgusting, others may believe it to be hilarious and wildly irreverent.
So blackened that even the word "charred" doesn't do it justice, "Very Bad Things" is clearly one of those films. Although some moviegoers -- most likely the teen and college-aged male crowd -- might find the proceedings amusing, most will probably agree that the film goes a bit, or, depending on your perspective, way too far in pushing the morbid humor envelope.
While suspense thrillers, such as the recent "A Perfect Murder" and "A Simple Plan" can "get away" with using murder in an offbeat way -- simply due to the genre in which they fall -- and a film like "There's Something About Mary" can get big laughs from gross, bodily based humor -- simply because it's harmless stuff -- bloody violence and comedy are a near incompatible mix and a tough marketing sell at best.
If done correctly and with enough flair, similarly constructed films, such as "Heathers," can pull it off. While somewhat similar to "A Simple Plan" and any number of other movies where the bad sides of normally complacent and law-abiding individuals come out when they suddenly find themselves in a progressively worsening situation, this film works better in concept (and probably on paper) than it does in realized execution (no pun intended).
Audiences usually enjoy watching the "best laid plans" of characters -- or in this case, the impromptu plans -- quickly and continuously go awry, and that notion does effectively and efficiently unfold here. Characters get paranoid and "wild cards" keep popping up all around them that serve to throw droves of proverbial monkey wrenches into their homicidal cover up.
While such cinematic devices work in suspense thrillers, pulling it off in a comedy adds an additional obstacle to overcome, and this film just doesn't have the muster to pull it off. To buy into the picture's overall concept one has to accept the initial two murders as comedic elements. Actor, turned writer and director Peter Berg, however -- who makes his feature film debut behind the camera -- doesn't quite have the proper comedic touch to make it work.
Simply put, it's too sour to enjoy. While you understand, and perhaps can even artistically appreciate what he's trying to achieve, the ingredients don't add up to a tasty concoction. To his credit, though, Berg (best known for his role on TV's "Chicago Hope"), doesn't hold back in delivering the material with a great deal of verve.
The impressive and talented cast also delivers their performances with a great deal of gusto, although at times they're more irritating than funny. Perfectly cast for such a role and with bits of his Jack Nicholson-like twang still in place, Christian Slater ("Hard Rain," "Broken Arrow") plays a grown-up version of his likewise homicidal character from "Heathers." While certainly not a likeable guy, you never doubt for a moment he'd be capable of doing what he does.
Cameron Diaz ("There's Something About Mary," "My Best Friend's Wedding") goes a bit overboard with her deranged bride-to-be character, although it's easy to appreciate what she's trying to pull off with her performance.
Perpetual nice guy Jon Faveau, who played another likeable, unassuming guy in "Swingers," does the same here, while Daniel Stern (the "City Slickers" movies) is good as the guy with a guilt- ridden and paranoid conscience, and Jeremy Piven (TV's "The Larry Sanders Show") plays the same old, something of a creep character he's now got down pat.
One's enjoyment of the film will heavily depend on whether humor can be found in watching Diaz continuously be psychotic about her wedding, the guys trying to put two chopped up bodies back together again before burying them, and the overall concept of attempting to elicit laughs from violent and bloody material that's normally not associated with humor.
Personally, I didn't find the film very funny. While I laughed quite hard at the gross and stupid stuff in "There's Something About Mary," this film doesn't quite manage to pull it off. Had there been more inherent laughs not tied directly to the morbid comedy material, I think I would have enjoyed the film more.
As it stands, while I understand what the filmmakers are striving for, they don't manage to balance that fine line of comedy and violence, and the picture consequently lands in the realm of the unfunny with a thud. Certain to divide audiences into loving or hating it, "Very Bad Things" gets a 3 out of 10.