In the recent TV commercial for Sears' line of clothing, the catchy jingle urges something along the lines of "Take a closer look...surprise, surprise...come see the softer side of Sears..." For those wondering how that relates to Adam Sandler's latest film, indulge me for a moment.
In his last release, "The Wedding Singer," the normally sophomoric Sandler surprised everyone by showing his softer, more refined, and gentler side of comedy. Consequently, that film was one of last spring's surprise hits and Sandler's biggest moneymaker by far. Playing beyond, but still entertaining his core base of teen and "twentysomething" males, Sandler proved he could be a crossover success.
Thus, with some trepidation I attended the screening for his latest film, "The Waterboy." While the previews are admittedly funny, it doesn't take a brain surgeon to see that Sandler and company have squarely aimed the picture back at his former target audience. Hating to see the return of low brow, sophomoric humor after making such advances with "Wedding Singer," I went in not expecting to like the film.
Much to my surprise, however, I mostly enjoyed it. While clearly not a sophisticated comedy by any stretch of the imagination -- to be honest, it's actually quite stupid -- the film still manages to elicit quite a few laughs, especially among the actor's die-hard fans. Although the film won't play as well across the moviegoing masses as did his last effort, Sandler proves yet again that the comedic buffoon character is an effective cinematic tool for tickling the funny bone.
As helmed by "Wedding Singer" director Frank Coraci and written by Sandler and screenwriter Tim Herlihy, the plot is predictable, the characters are two-dimensional at best, and the humor, while thankfully not delving into the scatological realm, is pretty inane stuff. Even so, it's still rather funny.
Most of that can be attributed to Sandler's performance. Playing the dimwitted and lonely, but good-hearted buffoon, Sandler epitomizes the "loser gets poetic justice" thoughts that filled many a non-popular student's head during their school years and thus immediately gains the audience's empathy. Although it's this type of idiot performance that has repelled many a moviegoer from Sandler's previous efforts -- and is definitely an acquired taste -- few can pull it off better than him.
The film's supporting roles, while okay, clearly aren't as funny as Sandler's. Oscar winner Kathy Bates ("Primary Colors," "Fried Green Tomatoes"), playing the forceful and overprotective mother, puts something of a comedic, bayou spin on her character from "Misery." Although not an actress one would initially select to be in a goofy comedy, Bates manages to pull it off with a great deal of gusto.
Henry Winkler (the Fonz on TV's "Happy Days") is enjoyable as the tentative and easy to fold football coach, while Fairuza Balk ("The Craft") and Jerry Reed ("Smokey and the Bandit") are as good as their limited roles allow them to be. Blake Clark, playing the assistant coach whose Cajun dialect is so thick he's nearly unintelligible, offers a few laughs precisely because of that.
While the film offers up a heapin' of humor throughout its ninety or so minute run time, some of the material isn't that funny. A flashback scene with Winkler and Reed in stereotypical 70's garb and "Afros" was probably funny on paper, but doesn't work that well on screen, and the repeated sight gag of a donkey/mule in the Boucher swamp home is quite stupid, although having it drink out of the toilet did elicit some laughs from the pet owners in the audience.
In addition, the film's central physical gag -- Bobby envisioning an opposing player's head turning into someone else who gets him mad, and then having him pummel that player with a vicious tackle -- does run out of steam before the film does. Now possible due to what's become the commonplace "morphing" technique, the effect is initially funny -- and generates a great sight gag in one scene where Winkler's head ends up on every opposing player on the field -- but starts to get a bit old once the novelty has worn off.
While some films are so stupid they're unintentionally funny, and others are so moronic that they're not, "The Waterboy" manages to elicit a fair number of laughs despite its predictable plot, mediocre characters and mostly unimaginative writing.
In other words, it's a perfect, old-style Adam Sandler flick that's certain to entertain his longtime, loyal fans. For everyone else? It's a tough call, but if you don't expect a thing from this film, you may just find yourself having a good time. We give "The Waterboy" a 6 out of 10.