When the opening strains of "It's a Good Day" by singer Peggy Lee start off this movie, you know it's going to be anything but when you see the name, Oliver Stone, under the directed by title. Well known for his capacity and zest for shaking up the established Hollywood norms -- be it wild controversy in "J.F.K." or "Nixon," or similarly received bloodbaths in "Natural Born Killers -- Stone has a knack for making movies that people either really hate or really love, with few falling in between. He's done it again with this film. A mix of the old westerns where the stranger arrives in town and the twilight zone type plots of "After Hours" and the recent Michael Douglas film, "The Game," this picture features Sean Penn stuck in a hellish desert hole where things get weirder by the minute.
That's always an intriguing genre premise and Stone pushes it to its extreme by shooting the film in the same, "in your face," never-a-dull-moment style as he did in "NBK." Getting his money's worth out of his editors, Hank Corwin and Thomas Nordberg (who also cut "NBK"), and cinematographer Robert Richardson (who received as Oscar for "J.F.K"), the film is amazing, but often jarring to watch. While audiences will probably like the included time-lapse desert photography, the wild camera angles, extreme close-ups, and bizarre editing will probably put off most mainstream audience members. Although you can say it's good that Stone feels he can experiment with this radical type of film making (that started with "Natural Born Killers"), I see it as a shame. Stone directed some great films in the 80's (in particular "Platoon," "Wall Street," and the underrated "Talk Radio") that looked -- and were -- inventive, but weren't too far out "there." You can state that he's experimenting now, but this reviewer wishes he'd get back to more "traditional" shooting styles and stop trying to whack us over the head with cinematic outrageousness. He's done it twice and that's enough and it's time to get back to more serious film making.
The subject matter and the graphic on screen sex and violence will also put off many viewers. It is all done with a slight comic tone, however, including some truly bizarre upbeat music, and all of it has a sort of wacky twilight zone feel to it. Indeed, some minor bits are terrifically hilarious. In particular, Billy Bob Thorton (of "Sling Blade" fame) is knee slapping funny as a caricature of a redneck mechanic who exemplifies that silly off kilter universe into which Penn's fallen. Similar in tone, but not quite as funny is Joaquin Phoenix as an angry, jealous tough guy, and of course there has to be a waitress in the diner named Flo. There are some odd cameos, however, including "it" girl, Liv Tyler, who's briefly seen in a train station with nothing much to do except show up on camera (maybe she'll have a bigger part in Stone's next film). The leads are competent in their roles, and while it seemed strange at first casting Penn as the "hero," he turns out to be anything but that and the casting all works out well. Seen as a slight tongue-in-check feature, the film is always interesting to watch and occasionally funny. Viewed as a "regular" film, it's intriguing, but a bit too ugly to attract and entertain mainstream audience members and this film should generate more controversy -- but probably not as much as "NBK" -- for Stone. At times we liked it and at others we didn't, and thus "U Turn" gets a 5.5 out of 10 rating.