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"INDIANA JONES AND THE TEMPLE OF DOOM"
(1984) (Harrison Ford, Kate Capshaw) (PG)

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Otherwise, use the following link to read our complete Parental Review of this film.

QUICK TAKE:
Action/Adventure: Indiana Jones is sent by the shaman of a suffering village to retrieve a sacred stone from a palace that houses a disturbing cult.
PLOT:
Intrepid archaeologist and adventurer Indiana Jones (HARRISON FORD) finds trouble in Shanghai when business with Chinese gangster Lao Che (ROY CHIAO) over the ashes of a Chinese emperor doesn't quite produce the reward he was after. In the ensuing scuffle, he receives the at-first unwelcome company of nightclub singer Willie Scott (KATE CAPSHAW), as well as the ingenuity of Short Round (KE HUY QUAN), who gets him away from Che and his men.

However, the plane they escape in belongs to Lao Che and with it, the pilots who exit in mid-air by his orders. Indiana, Willie, and Short Round are forced to jump out and they soon arrive in India, where they come upon a village that has had much misfortune, first with the children of the village being kidnapped and secondly with a sacred stone disappearing that gave the village everything it had. Without it, drought has killed crops, and the villagers are starving.

The shaman's insistence that he find the missing stone sends Indiana to Pankot Palace, where a young maharaja is in power, but more as a cover for something incredibly sinister: The rise once again of the dangerous Thuggee cult, thought to have been destroyed hundreds of years ago. Now it's not only Willie that Indiana has to contend with, but also the demonic high priest of the cult (AMRISH PURI) and the forces of the Thuggees that conspire to defeat Indiana.

OUR TAKE: 7.5 out of 10
In John Cork and Bruce Scivally's coffee table-sized book on the history of James Bond, it is noted that when Steven Spielberg and George Lucas began production on "Raiders of the Lost Ark," the first Indiana Jones film, Spielberg had hoped that it would be a film series much like the Bond films. But while Bond has been played successfully so far by six actors, it would have been hard to do the same with the Indiana Jones films. And that's because of the hard-charging magnetism of Harrison Ford, a hero to the men and boys who watch the films, and a source of fantasy no doubt for the women who also watch.

Fortunately, three films of Indiana Jones' adventures came along, and a fourth is arriving soon, gearing up hope that the fun will continue. And it is fun, in a way that almost makes one feel younger than their age while watching it. There is a blend here that works so fast, you're taken quickly from one place to another, from one spectacle to another, from one crack of the whip to another. It's fortunate as well that "Indiana Jones and the Temple of Doom" does not suffer from Middle Movie Syndrome, where the middle film of a trilogy usually is not up to the standards of the first and third films.

This happened with "Back to the Future Part II," which, despite its awe-inspiring special effects-laden look at the future, was bogged down in confusion. It's been noted historically that it may have stemmed from Robert Zemeckis filming Part III during the day and editing II at night. Only so much time can be given over to either film. However, Temple of Doom wasn't filmed concurrently with "Raiders of the Lost Ark" or "Last Crusade," so there was a lot more time to make this a genuine adventure.

There's one scene in particular that defines that and makes Indiana Jones' adventures always worth seeing more than once. Indiana Jones (Harrison Ford), spoiled singer Willie Scott (Kate Capshaw), and Indiana's young sidekick Short Round (Ke Huy Quan) are flying to wherever Indiana can get far away from Lao Che, a gangster who doesn't like to do business cleanly, evidenced by him poisoning Indiana and trying to take back the diamond that was supposed to be payment to him for the ashes of the first Chinese emperor.

Indiana doesn't know, however, that the plane he's in is owned by Lao Che, and the pilots who work for him jump out of the plane in mid-air after letting the fuel spill out. This isn't good and Indiana doesn't know how to fly a plane, so he, Willie, and Short Round jump, using an inflatable raft to sail to whatever's below, which turns out to be snow. Then, a cliff that they sail off of. And then they land in rapids.

So where to next after finally finding dry land? Indiana wants to get back to his university, back to the relative calm of teaching archaeology classes, but comes upon a desolate village in India where the children have disappeared, there are no crops, and the people are starving. The shaman of the village determines that the reason for all this tragedy stems from the loss of a sacred stone that brings them good fortune, that brings the rains down onto the land for their crops. But no stone, no water, no hope. The shaman believes that all this grief was caused by the new maharaja (Raj Singh) ruling in Pankot Palace.

And what sights we find there! A grand dining room suitable for royalty, or at least as much royalty as is being presented to try to deflect from the fact that underneath the palace lies the resurgence of the crazed Thuggee cult and all the sacrifices that come with it, including that performed by Mola Ram (Amrish Puri), the high priest who literally reaches into a man's chest and pulls out his heart. The powers of this cult are so great that not even Indiana is immune to the doll kind of voodooism.

The powers have even produced an earthly vision of hell, complete with a lava pit into which hapless victims are lowered. Because of the promises of fortune and glory that the stones advertise, Indiana seeks out the cult for that purpose. But there is also goodness to him, not just what would seem to be greed. There are kids enslaved underground as well and it wouldn't be right to ignore that problem.

Spielberg and his band of talented technicians, artists, and special effects people show why an Indiana Jones ride was eventually created at Disneyland, with one sequence involving a kind of roller coaster ride inside a mine. The fun isn't just in watching Harrison Ford do what he's always done best as Jones, but also in getting as close to an actual rollercoaster with this sequence as one possibly can.

Between this, Indiana's banter with Willie that's more amusing than expected, and Short Round's innate ability to take care of himself in a fight, this is all an entertaining trip through and through. It's one of the countless reasons we watch movies, and it rates as a 7.5 out of 10. (R Aronsky)




Reviewed off DVD / Posted March 10, 2008

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