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"MRS. HENDERSON PRESENTS"
(2005) (Judi Dench, Bob Hoskins) (R)

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QUICK TAKE:
Drama: Following the death of her husband, a rich woman buys a WWII era London playhouse and decides to put on nudie shows there.
PLOT:
It's 1937 England and Laura Henderson (JUDI DENCH) is a nearly 70-year-old woman who's decided she's now bored with her recent widowhood. Accordingly, she uses some of her wealth to buy an old theater in London. Although she knows next to nothing about owning such an operation, she's certain she wants theater veteran Vivian Van Damm (BOB HOSKINS) to run the place, even if he's initially reluctant to agree.

He eventually does, and with her blessing, they put on daily musical reviews, leading to much success. But when others copy their mold, revenues drop and they're forced to come up with something new. It's then when Laura decides they should put on nudie shows to differentiate themselves from the others, as well as entertain the young servicemen now in the throes of WWII.

A local official, Lord Cromer (CHRISTOPHER GUEST), is concerned about any nudity appearing on the stage, but Laura devises a workaround. As long as the nudity is restricted to young women posing as classic artwork -- meaning motionless figures -- they won't be breaking any laws. Soon, Vivian and his assistants, including gay performer Bertie (WILL YOUNG), are choosing the actresses/models, such as the alluring Maureen (KELLY REILLY), and it's not long before the theater is once again a sold-out success.

But with the effects of the war striking ever closer to home, and Laura and Vivian occasionally clashing like an old married couple, it's uncertain how long the theater can remain open.

OUR TAKE: 5.5 out of 10
When someone mentions skin peddlers, one usually thinks of the likes of Hugh Hefner, Larry Flynt or greasy men with big mustaches and tight jeans making and/or appearing in porno films. One, however, usually doesn't conjure up an older, austere woman who carries the prefix title "dame."

But that's exactly what will occur while watching "Mrs. Henderson Presents," a period drama starring Dame Judi Dench as a dignified British widow who buys a theater in WWII era London and subsequently turns it into a nudie review showcase.

For some, that might evoke thoughts of "The Full Monty" or the lesser seen "Calendar Girls" where a number of older ladies pose in the buff for charitable calendar photos. Like the latter film, this one is based on a true story, but unlike the former, Bob Hoskins" is the only older performer to show us the titular noun popularized by the first film (after all, did you really expect a dame -- and a 71-year-old one at that to follow suit?).

The result is a moderately entertaining dramedy from helmer Stephen Frears who gets a great deal of help from his veteran lead performers. Working from a script by Martin Sherman, the director of films such as "Dirty Pretty Things" and "Dangerous Liaisons" delivers a decent but never really spectacular mix of drama (the WWII material, the reasons behind Mrs. Henderson's beliefs and actions, etc.) and comedy (the "old married couple" routine performed by Dench and Hoskins as well as some of the nudity related material).

The latter stems from the former and thankfully sports a more subdued British sense of style and humor rather than going for the slapstick style bawdiness of Benny Hill (sorry, no Boots Randolph "Yakety Sax" score accompanies the material) or the over-exaggeration present in the recent big screen adaptation of "The Producers."

And much of that's due to the performances by and interaction between the leads. Antagonistic from the beginning but with a level of respect and properness that prevents the material from ever turning too nasty or sour, Dench and Hoskins have fun playing off the bickering, long-married couple angle (although their characters are not wedded) and they get some decent mileage from the routine.

There are also some amusing bits where the theater troupe has to decide how to outwit or at least work around the handwringing of a local official -- played by Christopher Guest -- who's concerned about the nudity and how it will be presented on the stage. While little if any of that's terribly clever and certainly not hilarious by any means, their solution is rather unique.

The dramatic elements, however, are more of a mixed bag. While the short bits featuring Henderson's reaction to family deaths -- both recent and long ago -- are nicely played and ring true without ever wading into any sort of maudlinness, some of the war related moments aren't as successful. Perhaps because of the adjacent lighter material, the Nazi bombings, etc. don't have the same level of gravity as one might expect, although it's never perfectly clear if that was the intended effect or not.

And a somewhat rushed subplot in the third act involving a performer -- played by Kelly Reilly -- being set up with a young soldier before he heads back to the war isn't given enough time to build into something emotionally engaging for us (although it nevertheless tries to tug on the heartstrings with its inevitable conclusion). While it's thematically tied to Henderson's motives and thus somewhat naturally flows from what we've already seen, it can't help but feel tacked on and undernourished.

Even so, the film appropriately belongs to Dench. While she could play this sort of role in her sleep (or at least over tea), she's nevertheless good in it, creating yet another engaging character in her repertoire of such cinematic beings. Nothing tremendous, but fairly easy to watch and be entertained by, "Mrs. Henderson Presents" rates as a 5.5 out of 10.




Reviewed November 28, 2005 / Posted February 3, 2006

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